Issue 12

Extra! Extra! Read all about it! Harlot’s 12th issue is published today!

Issue 12

Issue 12

Read the awesome works of Lindsey Harding, Mary Hedengren, Lisa Lebduska, Kathleen Ann Livingston, Lauren Murray, and KT Torrey. Learn about trigger warnings, emojis, Misha Collins as Overlord, beer, the effects of Pinterest on moms, and zombies. Zombies!

Also, check in to see who won the #definerhetoric 2014 competition and get your submissions ready for the next special issue on craft rhetorics! Exciting times, folks. Winning!

Family Matters: Issue #6 is LIVE!

The Harlot Family is excited to bring you Issue #6, specially themed on family rhetorics.  Much to our delight, our call for this special issue on family rhetoric attracted a record number of submissions.

For some, the connection was deeply personal; for others, cultural representations of family and/or the role of various communities on family drew shrewd attention.  Ultimately, the pieces in this issue were selected not only for their brilliant and creative insights about family rhetoric (how family members communicate with each other) and the rhetoric of family (how culture and society inform us about the meaning of family), but also because they represent an array of perspectives, experiences, and forms of expressing our connections and disconnections with family.  They teach us what “runs in the family” means and how family is manufactured, lived, understood, and reproduced.

Join us in the fun and help us make Harlot’s family even larger by submitting your work for consideration in our upcoming general issue (Issue 7), to be published Oct. 15th, 2011.  As you’ll discover in this issue, Harlot is not a print-biased publication.  We accept and encourage multimedia submissions.   After all, rhetoric in every day life exceeds the boundaries of print. 

The deadline for submissions for Issue 7 is July 15th, 2011.

Calling for Harlot reviewers!

Help wanted.

Help wanted, by Thewmatt

Harlot wants you!

Now in its third year of publication, Harlot is looking to expand its consortium — a group of reviewers who work hard to make sure all published submissions are smart, fun, provocative, and a good fit for Harlot. Harlot is open to all people who are interested in acts of persuasion, and we are currently most in need of individuals outside academia.

Reviewing is easy. Just as we ask creators to mind five particular goals in mind, we ask reviewers to answer the same questions in their responses:

1. Success: Is the piece appropriate for Harlot? Does it achieve its goals/potentials? Is the production quality high?
2. Significance: Are the ideas relevant, interesting, and provocative to broad audiences?
3. Accessibility: Is the piece welcoming and appealing to audiences’ varying reading abilities and assistive technologies?
4. Personality: Does the piece exhibit wit, charm, humor?
5. Ethics: Is the work respectful and inclusive of diverse individuals and communities? Does it abide by legal and moral codes of copyright and fair use?

 

 

If you’re interested in joining, please visit Harlot’s registration page, click the box next to “Reviewer,” and enter your interests. And then tell your friends!

Begging burro.

Begging burro, by Gottolson

 

We want you.

 

 

Issue #5 is Alive!

Happy fall from your friends at Harlot. We’ve got some treats for you: A Katrina survivor delves into stories that reveal more than just memories of a New Orleans’ past; a student produces a coming out performance through her writing; a photo lover questions whether the love is for the photo or the emotion it consistently conjures; relationships of adulthood are pondered by a movie-goer through the lens of Up in the Air; and sexuality is expressed in a pair of suspenders.

Intrigued? Excellent. Don’t forget to post your thoughts in response—just hit “Add Comment” to keep the conversation going!

We’re currently accepting submissions for our spring 2011 special issue, focused around the theme of family rhetoric. The deadline isn’t until January 15th, so you’ve got plenty of time to ponder why your brother flushed your favorite toy down the toilet when you were 6… how your parents managed to convince you to sit for that sibling portrait in the 80s… or what strategies you rely on to survive the holiday onslaught of aunts. You figured out early on to ask Dad for certain things and Mom for others–how did you know to do that? What were the differences between those approaches?

For more ideas, check out the full call on the announcements page, where you can also see some highly embarrassing shots of yours truly. As always, feel free to shoot us a line to chat about your inspirations, hesitations, or just to say howdy!

And of course, don’t forget that we accept pieces for consideration throughout the year. We’ve got reviewers standing by to help you polish that rant or sharpen that observation into the next Harlot masterpiece.

Speaking of: We want to extend a hearty congrats to contributor and blogger Ben McCorkle on being awarded Computers and Composition’s Michelle Kendrick Outstanding Digital Production/Scholarship Award for his “The Annotated Obama Poster,” which appeared in Harlot‘s second issue. Honored for its intellectual and creative awesomeness, McCorkle’s piece exemplifies the smart, accessible rhetorical criticism Harlot was designed to share.

In other news, we’re delighted to announce our shiny new ISSN: 2156-924X. Yup, that means the Library of Congress now has a listing for a journal named Harlot. And so does the Modern Language Association (MLA) Directory of Periodicals! Sa-weet.

And finally, we’re partnering with some design peeps to develop a new, more inviting look for Harlot. Of course, we’d like you to have a say in that re-vision… so let us know what you’d like to see!

McCorkle’s Obama Poster Earns Honors

Well, slap us in the face, because we forgot to congratulate Harlot contributor and blogger, Ben McCorkle, on being awarded Computers and Composition‘s Michelle Kendrick Outstanding Digital Production/Scholarship Award for his “The Annotated Obama Poster,” which appeared in Harlot‘s second issue (spring 2009). We’re sooooooo excited to see Ben’s amazing piece receive the recognition that it deserves. (We’re also proud to see Harlot foster such superb work.) Way to represent, Ben!

The more, the merrier!

We are delighted to announce another new contributor to the Harlot blog: Heather Lee Branstetter, whose “Why the Duke Lacrosee Scandal Mattered–Three Perspecitives” demonstrates an all-too-rare kind of rhetorical listening, has also come on board. Born and raised in a rural mining town out West, Heather has a libertarian streak, doesn’t care much for social norms and, luckily, enjoys the taste of her own feet. Enjoy!

We hope you’re having fun with Issue 4 — drop us a line or comment and let us know what’s working (or not) for you. And we’re already looking forward to your submissions for the fall issue…

Deadline extended

Because we at Harlot understand the mayhem of holiday season, we’ve decided to help out by extending the deadline for our special issue–“Rhetoric at Work”– to January 15th, 2010. So now it’s not only an opportunity to reflect on how persuasion is functioning in your own line of work, but a great way to take a break from the family and all those damn festivities!

What persuasive techniques do you use to accomplish your job? What kinds of moves work best (or worst) on different audiences? How does the boss seek to motivate you… and why does/doesn’t it work? Anything, um, curious about the way your company promotes itself? What types of workplace communication annoy the hell out of you?

Got an idea for article that you’d like to run past us? Questions about the issue’s theme? Don’t hesitate to write us at harlot.osu@gmail.com.

We look forward to hearing from you.

Issue 3 is Hot off the Press

Issue 3 is up and at ’em! We’re quite proud of the variety of articles we have this go round and are confident that you’ll find something that gets you salivating, so wander on over and take a look. Even more so, why don’t you let the authors know what you think by leaving them a comment.

And if you’re curious, here’s what’s inside:

Editors’ Letter for Issue 3
“From ‘Thank You for Your Support'” by Brian Hauser
“Why The Duke Lacrosse Scandal Mattered–Three Perspectives” by Heather Branstetter
“Harlot Of The Hearts” by Kaitlin Dyer
The Irony Of YouTube: Politicking Cool” by Jessie Blackburn
Interview with Frank Donoghue on The Last Professors

While you’re at it, take a gander at our call for Issue 4 (themed Rhetoric at Work) and get cracking on your submission.

Enjoy!