Synthetic Identity

If your friend, co-worker, family member conveniently leaves their facebook open, resist the temptation to mess with said friend, co-worker, or family member by posting odd/offensive/misrepresenting posts or blocking them out of their account. According to Time, a mother was fined for getting into her son’s account and then blocking him out of it. Of course, as with most things, there seems to be more to their relationship than just this instance as the mother “is also no longer allowed to see her son, who has lived with his grandmother for the past five years.”

By this point, you probably understand that I find facebook utterly fascinating. In this instance, she was charged with harassment, but why not fraud? Or defamation of character?

Just to get this part out of the way, I do not believe that having this woman convicted will mean that parents everywhere will have no supervision over their child’s internet activities. This particular case seemed to have a particularly high level of what was determined to be harassment. The actions appeared to be severe and, therefore, the punishment matched. Forbidding a child to use or post certain things in his or her facebook would not be the same thing.

But on to my thought. Wouldn’t inhabiting someone’s profile and misrepresenting them be fraud more than harassment, because your profile is like a synthetic being? There is this thing out there that stands in for you–it tells everyone who you are and connects you to the people you know, but in Invasion of the Body Snatchers style, it can be jacked and then suddenly, it does not represent you. It does not communicate what you want it to and you have no control over that. Perhaps the charge should be identity theft?

Of course, yes, in this case, it was harassment, but I certainly see the case for identity theft, but, perhaps, this is just semantics?

The Penguins are Back at it

Remember this post:

http://harlotofthearts.org/blog/2008/12/26/hey-whered-my-egg-go/

Yeah, well, according to the LA Times, the eggs have hatched and, to the surprise of no liberal, these gay penguins make just as good parents as any straight penguin couple. I’m just waiting for this to be used as an argument for LGBT rights. Personally, I think it’s a good counter-argument to the “it’s not natural” spiel, but that may just be me.

Proving You’re Human

Are you human? from GDFB.tv on Vimeo.

Captcha is a necessary evil. It takes up time and makes users go through more steps than they’d necessarily want to in order to do whatever it is that they want to do: post a comment, sign up for a service, etc. Without it, though, one’s site can fill up with all kinds of spammers. What makes this project so interesting is the application of proving one’s humanness in the physical world. What does that communication of something purely technological into a physical presence convey to passers-by? Do they get it? How do you prove that you’re human in this situation? There is no input field. I would love to see someone interact with this. Maybe they could break it apart to form a real word or copy the captcha below it. Well, something more interesting and creative than that would be better, but I think the captchas are just begging to be played with.

via F.A.T.

WB rips anti-piracy tech

Since we talk about remix culture so much on this blog, I felt the need to point out Gizmodo’s article, “IRONY: Warner Bros. Sued for Pirating Anti-Pirating Technology.” Really.

I think this is the stuff that would make Brett Gaylor, the director of RiP: A Remix Manifesto, giddy in its hilarity. I think we all can appreciate the irony, though.

Justin Who?

Admittedly, until a few months ago, I had no idea who Justin Bieber was and because I don’t watch the Disney Channel or listen to much Top 40 radio, I had to look him up on youtube and listen to a song in order to research for this very post. I had never heard anything before this, so my annoyance with the kid is miniscule, but that doesn’t stop me from showing you this Firefox plugin that blocks any mention of the tiny-tot singer.

Below is the video which displays the application in action, but the song that plays probably is not suitable for work. I’m embedding it because I want you to see it in action and not just to make fun of the kid. Just keep that in mind.

Justin Bieber Shaving from Greg Leuch on Vimeo.

Isn’t this fascinating!? That someone would spend the time, money, etc., just to eliminate an annoyance from their web experience? I can see how it may diminish that particular aggravation for a user, but at the same time, it reminds me of an ostrich sticking its head in the sand. While the focus of this tool is to block one seemingly insignificant pop culture reference, what if one were to use the tool to block any mentions of, say, the Gulf Coast oil spill. Would that be merely believing in the “ignorance is bliss” mantra? It’s a thought.

Another: in a world where information is so easily accessible, how do we stop a stream of unwanted information–stuff that we consider purely a nuisance? Like this? With plugins, applications, and utilities? Is this just us adapting to the changes that this information age has inflicted?

Hey, I haven’t had much contact with the Bieber, so I don’t have much use for this tool, but if I could get rid of any mention of Farmville, I just might.

via CNET

Question (FB & Commonplaces)

Has anyone written about Facebook working as modern day commonplaces?

I mean, wikipedia suggests that “[s]ome modern writers see blogs as an analogy to commonplace books,” but I see Facebook posts has a much more similar connection. Considering that blogs are there to produce content more than just post it, then I’d say that blogs are closer journaling and facebook, which many of us use to post various articles, music, pictures, etc, could tie in with commonplacing.

I’m just wondering if anyone else has had any insights into this?

Know Your Music: Tempo Rubato as a Persuasive Technique

When you lay on a couch and listen to Chopin, you’re bound to notice something very specific. One of the things that makes a Chopin piano piece is the lingering resonance and/or the quick succession of certain notes or phrases. There’s a technical term for that. It’s called “tempo rubato.” (If you’re burning to hear an example, try Martha Argerich’s performance of Nocturne No. 16 in E Flat, Op 55, No. 2.)

I would suggest (and I do) that tempo rubato is a rhetorical technique within the form of musical performance. It is a style meant to express improvisation and feeling. . . pathos. By speeding up, we are hurried through the piece and by slowing down we are forced to contemplate that musical phrase. Like any good romantic period piece, it emotes and manipulates. Tempo rubato manipulates its audiences into feeling differently than if the piece were kept in strict time.

I know, I know–you may be asking yourself why this is important. Why does it matter what it’s called as long as it’s effective, right?  Well, I guess I’m kind of a music geek (I did minor in it), but the effect that music has on our current society is undeniable. Don’t you think?

How many musicians have benefited from Apple commercials using their songs (The Ting Tings, Yael Naim, CSS, Prototypes, etc.) or car/alcohol/sports commercials (Black Rebel Motorcycle Club, The Young Dubliners, etc):

(Which, I am a fan of Spread Your Love by Black Rebel Motorcycle Club. It’s definitely a driving-in-your-car-feeling-bad-ass song.)

Music is used to add to other persuasive forms/arguments/compositions, yes. It’s used in movies, tv, commercials, grocery stores, department stores, etc., etc., but music also has its own persuasive techniques within itself. I once learned in some music class which I can’t pin down that what most people were drawn to most of the time was the use contrast and repetition. That’s why songs on the Top 40 lists follow the same basic format: Verse, Chorus, Verse, Chorus, Bridge, Chorus.

This is where tempo rubato comes in. This technique is used to offer that contrast which maintains a person’s interest while repeating a phrase that we’ve already heard. It draws us in because there is familiarity and keeps us there because there are slight changes. It persuades us to keep listening.