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	<title>harlotofthearts.org &#187; Tim</title>
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	<link>http://harlotofthearts.org/blog</link>
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		<title>Deadline Approaches: Submit Now for Issue #7!</title>
		<link>http://harlotofthearts.org/blog/2012/01/12/deadline-approaches-submit-now-for-issue-7/</link>
		<comments>http://harlotofthearts.org/blog/2012/01/12/deadline-approaches-submit-now-for-issue-7/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 17:10:28 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Harlot]]></category>
		<category><![CDATA[call for submissions]]></category>
		<category><![CDATA[publication]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2293</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://harlotofthearts.org/blog/wp-content/uploads/2012/01/harlot_issue_7_cfs.jpg"><img class="aligncenter  wp-image-2294" title="CFS Issue #7" src="http://harlotofthearts.org/blog/wp-content/uploads/2012/01/harlot_issue_7_cfs-1024x768.jpg" alt="Call for Submissions" width="614" height="461" /></a></p>
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		<title>Dance your Diss!</title>
		<link>http://harlotofthearts.org/blog/2012/01/12/dance-your-diss/</link>
		<comments>http://harlotofthearts.org/blog/2012/01/12/dance-your-diss/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 17:02:58 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Theory]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[dissertation]]></category>
		<category><![CDATA[power point]]></category>
		<category><![CDATA[science]]></category>
		<category><![CDATA[TED]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2291</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><object width="640" height="360"><param name="movie" value="http://www.youtube.com/v/UlDWRZ7IYqw&#038;rel=0&#038;hl=en_US&#038;feature=player_embedded&#038;version=3"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed src="http://www.youtube.com/v/UlDWRZ7IYqw&#038;rel=0&#038;hl=en_US&#038;feature=player_embedded&#038;version=3" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="640" height="360"></embed></object></p>
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		<title>enculturation: McLuhan at 100</title>
		<link>http://harlotofthearts.org/blog/2012/01/10/enculturation-mcluhan-at-100/</link>
		<comments>http://harlotofthearts.org/blog/2012/01/10/enculturation-mcluhan-at-100/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 03:32:06 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Media & Advertising]]></category>
		<category><![CDATA[Theory]]></category>
		<category><![CDATA[enculturation]]></category>
		<category><![CDATA[mcluhan]]></category>
		<category><![CDATA[medium is the message]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2282</guid>
		<description><![CDATA[If you haven&#8217;t already, I encourage to check out enculturation&#8216;s latest issue: Marshall McLuhan @ 100: Picking Through the Rag and Bone Shop of a Career, launched on the final day of centenary celebrations, 21 years to the day of McLuhan&#8217;s death.  Editors David Beard and Kevin Brooks have pulled together quite a stunning issue.]]></description>
			<content:encoded><![CDATA[<p>If you haven&#8217;t already, I encourage to check out <strong><em><a title="enculturation" href="http://enculturation.gmu.edu/" target="_blank">enculturation</a></em></strong>&#8216;s latest issue: <strong><a title="Marshall McLuhan @ 100: Picking Through the Rag and Bone Shop of a Career." href="http://enculturation.gmu.edu/" target="_blank">Marshall McLuhan @ 100: Picking Through the Rag and Bone Shop of a Career</a></strong>, launched on the final day of centenary celebrations, 21 years to the day of McLuhan&#8217;s death.  Editors <strong><a title="David Beard" href="http://davidbeard.efoliomn.com/" target="_blank">David Beard</a> </strong>and <strong><a title="Kevin Brooks" href="http://www.ndsu.edu/english/faculty/kevin_brooks/" target="_blank">Kevin Brooks</a> </strong>have pulled together quite a stunning issue.</p>
<div id="attachment_2283" class="wp-caption aligncenter" style="width: 650px"><a href="http://www.flickr.com/photos/stefanerschwendner/6241720704/sizes/z/in/photostream/"><img class="size-full wp-image-2283" title="6241720704_d24b7d044c_z" src="http://harlotofthearts.org/blog/wp-content/uploads/2012/01/6241720704_d24b7d044c_z.jpg" alt="McLuhan quote" width="640" height="480" /></a><p class="wp-caption-text">image by stefan.erschwendner, flickr</p></div>
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		<title>Winner: Rhetorical Analysis of the Month (Youth Division)</title>
		<link>http://harlotofthearts.org/blog/2011/12/30/winner-rhetorical-analysis-of-the-month-youth-division/</link>
		<comments>http://harlotofthearts.org/blog/2011/12/30/winner-rhetorical-analysis-of-the-month-youth-division/#comments</comments>
		<pubDate>Fri, 30 Dec 2011 05:06:02 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Media & Advertising]]></category>
		<category><![CDATA[gender shaping]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[rhetorical analysis]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2272</guid>
		<description><![CDATA[And our winner for Best Rhetorical Analysis in the month of December by someone 12 years of age or younger goes to Riley, who reminds us that analyzing the rhetoric of color choices, gender shaping, and consumer culture can never begin too early. Congratulations, Riley!]]></description>
			<content:encoded><![CDATA[<p>And our winner for <em>Best Rhetorical Analysis</em> in the month of December by someone 12 years of age or younger goes to <strong>Riley</strong>, who reminds us that analyzing the rhetoric of color choices, gender shaping, and consumer culture can never begin too early.  Congratulations, Riley!</p>
<p><code><iframe width="640" height="360" src="http://www.youtube.com/embed/-CU040Hqbas?rel=0" frameborder="0" allowfullscreen></iframe></code></p>
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		<title>Classical Rhetoric: A Manly Introduction</title>
		<link>http://harlotofthearts.org/blog/2011/10/24/classical-rhetoric-a-manly-introduction/</link>
		<comments>http://harlotofthearts.org/blog/2011/10/24/classical-rhetoric-a-manly-introduction/#comments</comments>
		<pubDate>Mon, 24 Oct 2011 03:52:04 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Theory]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2223</guid>
		<description><![CDATA[The Art of Manliness has a well written series of primers on classical rhetoric and the five canons. Check &#8216;em all out: Classical Rhetoric 101: An Introduction Classical Rhetoric 101: A Brief History covers the sophists, Aristotle, Cicero, Quintillian, Medieval, Renaissance, and the &#8220;modern day&#8221; The Five Canons: Invention includes a brief section on Topoi [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;"><em><a href="http://artofmanliness.com/" target="_blank">The Art of Manliness</a> </em>has a well written series of primers on classical rhetoric and the five canons.</p>
<p style="text-align: left;">Check &#8216;em all out:</p>
<p style="text-align: left;"><strong><em><a href="http://artofmanliness.com/2010/11/14/classical-rhetoric-101-an-introduction/" target="_blank">Classical Rhetoric 101: An Introduction</a></em></strong></p>
<p style="text-align: left;"><em><a href="http://artofmanliness.com/2010/11/14/classical-rhetoric-101-an-introduction/" target="_blank"><img class="size-full wp-image-2224" style="border: 2px solid black;" title="cicero" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/cicero.jpeg" alt="" width="460" height="276" /></a></em></p>
<p style="text-align: left;"><em><strong><a href="http://artofmanliness.com/2010/11/30/history-of-rhetoric/" target="_blank">Classical Rhetoric 101: A Brief History</a></strong></em></p>
<div class="mceTemp mceIEcenter" style="text-align: left;">
<dl id="attachment_2226" class="wp-caption aligncenter" style="width: 370px;">
<dt class="wp-caption-dt"><a href="http://artofmanliness.com/2010/11/30/history-of-rhetoric/" target="_blank"><img class="size-full wp-image-2226 " style="border: 2px solid black;" title="PatrickHenry1" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/PatrickHenry1.jpeg" alt="" width="360" height="448" /></a></dt>
<dd class="wp-caption-dd">covers the sophists, Aristotle, Cicero, Quintillian, Medieval, Renaissance, and the &#8220;modern day&#8221;</dd>
</dl>
</div>
<p style="text-align: left;"><strong><em><a href="http://artofmanliness.com/2011/01/26/classical-rhetoric-101-the-five-canons-of-rhetoric-invention/" target="_blank">The Five Canons: Invention</a></em></strong></p>
<div class="mceTemp mceIEcenter" style="text-align: left;">
<dl id="attachment_2228" class="wp-caption   aligncenter" style="width: 442px;">
<dt class="wp-caption-dt"><a href="http://artofmanliness.com/2011/01/26/classical-rhetoric-101-the-five-canons-of-rhetoric-invention/" target="_blank"><img class="size-full wp-image-2228  " style="border: 2px solid black;" title="lincoln" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/lincoln.jpeg" alt="" width="432" height="291" /></a></dt>
<dd class="wp-caption-dd">includes a brief section on Topoi</dd>
</dl>
</div>
<p style="text-align: left;"><em><strong><a href="http://artofmanliness.com/2011/02/26/classical-rhetoric-101-the-five-canons-of-rhetoric-arrangement/" target="_blank">The Five Canons: Arrangement</a></strong></em></p>
<div class="mceTemp mceIEcenter" style="text-align: left;">
<dl id="attachment_2227" class="wp-caption aligncenter" style="width: 410px;">
<dt class="wp-caption-dt"><a href="http://artofmanliness.com/2011/02/26/classical-rhetoric-101-the-five-canons-of-rhetoric-arrangement/" target="_blank"><img class="size-full wp-image-2227" style="border: 2px solid black;" title="mlk" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/mlk.jpeg" alt="" width="400" height="323" /></a></dt>
<dd class="wp-caption-dd">covers narratio, partitio, confirmatio, refutatio, peroratio</dd>
</dl>
</div>
<p style="text-align: left;"><strong><em><a href="http://artofmanliness.com/2011/03/16/classical-rhetoric-101-the-five-canons-of-rhetoric-style/" target="_blank">The Five Canons: Style</a></em></strong><em style="font-weight: bold;"> </em></p>
<div class="mceTemp mceIEcenter" style="text-align: left;">
<dl id="attachment_2229" class="wp-caption aligncenter" style="width: 460px;">
<dt class="wp-caption-dt"><em style="font-weight: bold;"><a href="http://artofmanliness.com/2011/03/16/classical-rhetoric-101-the-five-canons-of-rhetoric-style/" target="_blank"><img class="size-full wp-image-2229     " style="border: 2px solid black;" title="henry-clay-orator" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/henry-clay-orator.jpeg" alt="" width="450" height="360" /></a></em></dt>
<dd class="wp-caption-dd">covers the five virtues of style: correctness, clarity, evidence, propriety, ornateness</dd>
</dl>
</div>
<p style="text-align: left;"><em style="font-weight: bold;"><strong><em><a href="http://artofmanliness.com/2011/03/16/classical-rhetoric-101-the-five-canons-of-rhetoric-style/" target="_blank">The Five Canons: Memory</a></em></strong></em></p>
<div class="mceTemp mceIEcenter" style="font-weight: bold; text-align: left;">
<dl id="attachment_2230" class="wp-caption aligncenter" style="width: 349px;">
<dt class="wp-caption-dt"><em style="font-weight: bold;"><strong><em><a href="http://artofmanliness.com/2011/04/15/classical-rhetoric-101-the-five-canons-of-rhetoric-memory/" target="_blank"><img class="size-full wp-image-2230     " style="border: 2px solid black;" title="memory" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/memory.jpeg" alt="" width="339" height="400" /></a></em></strong> </em></dt>
<dd class="wp-caption-dd"><em style="font-weight: bold;"><em>not just about memorizing, but making memorable</em> </em></dd>
</dl>
</div>
<p style="text-align: left;"><em style="font-weight: bold;"><strong style="font-weight: bold;"><em> </em></strong><strong style="font-weight: bold;"><em> </em></strong><strong style="font-weight: bold;"><em> </em></strong></em></p>
<p style="font-weight: bold; text-align: left;"><span style="font-style: normal;"><em style="font-weight: bold;"><strong><em><a href="http://artofmanliness.com/2011/05/04/canon-of-delivery/" target="_blank">The Five Canons: Delivery</a></em></strong></em></span></p>
<div class="mceTemp mceIEcenter" style="text-align: left;">
<dl id="attachment_2231" class="wp-caption aligncenter" style="width: 360px;">
<dt class="wp-caption-dt"><strong style="font-weight: bold;"><a href="http://artofmanliness.com/2011/05/04/canon-of-delivery/" target="_blank"><img class="size-full wp-image-2231   " style="border: 2px solid black;" title="DemosthPracticing" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/DemosthPracticing.jpeg" alt="" width="350" height="449" /></a> </strong></dt>
<dd class="wp-caption-dd"><strong style="font-weight: bold;">master the pause, watch your body language, vary your tone, let gestures flow naturally, match your speed with your emotion, vary the force of your voice, enunciate, look your audience in your eye </strong></dd>
</dl>
</div>
<p style="text-align: left;"><strong style="font-weight: bold;"> </strong></p>
<p style="text-align: left;"><em> </em></p>
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		<title>With extra rhetoric, please . . .</title>
		<link>http://harlotofthearts.org/blog/2011/10/14/with-extra-rhetoric-please/</link>
		<comments>http://harlotofthearts.org/blog/2011/10/14/with-extra-rhetoric-please/#comments</comments>
		<pubDate>Fri, 14 Oct 2011 15:58:12 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Law & Politics]]></category>
		<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2218</guid>
		<description><![CDATA[Rhetoric in the news: It&#8217;s true (and perhaps to be expected) that rhetoric is implicitly defined here as bombastic sound-bites, caustic charges thick with generalization, delivered with unexamined confidence. Sadly, we&#8217;ve gotten used to having rhetoric framed this way (though we certainly should not accept it). What interests me, though, is the use of &#8220;extra&#8221; [...]]]></description>
			<content:encoded><![CDATA[<p>Rhetoric in the news:</p>
<div id="attachment_2219" class="wp-caption aligncenter" style="width: 634px"><a href="http://www.npr.org/2011/10/13/141289882/double-take-toons-no-topping-cain"><img class="size-full wp-image-2219" title="Herman Cain's Rhetoric Pie" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/coletoon_-__herman_c_custom.jpeg" alt="Herman Cain's Rhetoric Pie" width="624" height="495" /></a><p class="wp-caption-text">Herman Cain&#39;s Rhetoric Pie</p></div>
<p>It&#8217;s true (and perhaps to be expected) that rhetoric is implicitly defined here as bombastic sound-bites, caustic charges thick with generalization, delivered with unexamined confidence.  Sadly, we&#8217;ve gotten used to having rhetoric framed this way (though we certainly should not accept it).  What interests me, though, is the use of &#8220;extra&#8221; that&#8217;s further emphasized with the heaping mess of pizza glob and goop.  It points us to a quantitative framing of rhetoric instead of a qualitative one.  To stick with the metaphor: rhetoric may be perfectly acceptable as a garnish, a topping to be sprinkled judiciously on something substantive, but if the &#8220;toppings&#8221; are piled too high and wide we&#8217;ll get sick.  </p>
<p>It&#8217;s a remarkably unproductive way to frame rhetoric that should signal to rhetoricians everywhere that our work is cut out for us . . .</p>
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		<title>The Perfect Campaign Speech</title>
		<link>http://harlotofthearts.org/blog/2011/10/13/the-perfect-campaign-speech/</link>
		<comments>http://harlotofthearts.org/blog/2011/10/13/the-perfect-campaign-speech/#comments</comments>
		<pubDate>Thu, 13 Oct 2011 03:04:53 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2206</guid>
		<description><![CDATA[I would like to see more (a lot more) of this type of rhetorical analysis: For similar videos check out &#8220;Trailer For Every Oscar-Winning Movie Ever,&#8221; Charlie Brooker&#8217;s &#8220;How to Report the News,&#8221; and The Onion&#8217;s &#8220;Breaking News: Some Bullshit Happening Somewhere.&#8221; More please.]]></description>
			<content:encoded><![CDATA[<p>I would like to see more (a lot more) of this type of rhetorical analysis:</p>
<p><iframe width="560" height="315" src="http://www.youtube.com/embed/3Y-Pp-ySJcU" frameborder="0" allowfullscreen></iframe></p>
<p>For similar videos check out &#8220;<a href="http://www.youtube.com/watch?v=rbhrz1-4hN4">Trailer For Every Oscar-Winning Movie Ever</a>,&#8221; Charlie Brooker&#8217;s &#8220;<a href="http://www.youtube.com/watch?v=YtGSXMuWMR4">How to Report the News</a>,&#8221; and The Onion&#8217;s &#8220;<a href="http://www.youtube.com/watch?v=9U4Ha9HQvMo">Breaking News: Some Bullshit Happening Somewhere</a>.&#8221;</p>
<p>More please.</p>
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		<title>&#8220;The &#8216;War on Cars&#8217;: A brief history of a rhetorical device</title>
		<link>http://harlotofthearts.org/blog/2011/09/20/the-war-on-cars-a-brief-history-of-a-rhetorical-device/</link>
		<comments>http://harlotofthearts.org/blog/2011/09/20/the-war-on-cars-a-brief-history-of-a-rhetorical-device/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 20:28:53 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Environment]]></category>
		<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2201</guid>
		<description><![CDATA[I just found an interesting piece over at grist that charts a genealogy of sorts for the phrase, &#8220;War on Cars.&#8221;  It a curious expression that&#8217;s been used to frame just about any type of regulation of cars, from congestion pricing (in London, for example) to investment in alternative transportation. It doesn&#8217;t take much intellectual [...]]]></description>
			<content:encoded><![CDATA[<p>I just found an interesting piece over at <a href="http://www.grist.org/" target="_blank"><em>grist</em></a> that charts a genealogy of sorts for the phrase, &#8220;War on Cars.&#8221;  It a curious expression that&#8217;s been used to frame just about any type of regulation of cars, from congestion pricing (in London, for example) to investment in alternative transportation.</p>
<div id="attachment_2202" class="wp-caption aligncenter" style="width: 566px"><a href="http://www.grist.org/article/2011-01-06-war-on-cars-a-history"><img class="size-full wp-image-2202" title="War on Cars: Brief History of a Rhetorical Device" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/09/Screen-shot-2011-09-20-at-4.17.57-PM.png" alt="" width="556" height="150" /></a><p class="wp-caption-text">Click on image to access article</p></div>
<p>It doesn&#8217;t take much intellectual effort to look around and realize that our urban infrastructures are hardly waging a war on cars.  But the factual absurdity of the phrase doesn&#8217;t mean it isn&#8217;t rhetorically powerful; maneuvering into a position of victimhood and defensiveness is often an effective move.</p>
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		<item>
		<title>Rhetoric as the Light of Liberty?</title>
		<link>http://harlotofthearts.org/blog/2011/06/02/rhetoric-as-the-light-of-liberty/</link>
		<comments>http://harlotofthearts.org/blog/2011/06/02/rhetoric-as-the-light-of-liberty/#comments</comments>
		<pubDate>Thu, 02 Jun 2011 20:47:28 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2181</guid>
		<description><![CDATA[Dear Abby, I found this cartoon on NPR&#8217;s &#8220;Double-Take&#8221; section and I must confess&#8230; I don&#8217;t get it.  I mean, I can come up with a few guesses, but I&#8217;m coming up short on a clear take-away.  Can you help me? Sincerely, Confused in Columbus &#160;]]></description>
			<content:encoded><![CDATA[<p>Dear Abby,</p>
<p>I found this cartoon on NPR&#8217;s &#8220;<a title="Double Take" href="http://www.npr.org/series/130211827/npr-double-take" target="_blank">Double-Take</a>&#8221; section and I must confess&#8230; I don&#8217;t get it.  I mean, I can come up with a few guesses, but I&#8217;m coming up short on a clear take-away.  Can you help me?</p>
<p>Sincerely,</p>
<p>Confused in Columbus</p>
<p>&nbsp;</p>
<p style="text-align: center;"><a rel="http://www.npr.org/2011/05/21/136506344/double-take-toons-peace-piece-by-piece" href="http://harlotofthearts.org/blog/wp-content/uploads/2011/06/politicalcartoons.jpeg" target="_blank"><img class="aligncenter size-full wp-image-2182" style="border: 2px solid black;" title="052011middleeastspee_2-copy" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/06/politicalcartoons.jpeg" alt="" width="624" height="436" /></a></p>
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		<title>Present Tense: Issue #2</title>
		<link>http://harlotofthearts.org/blog/2011/04/03/present-tense-issue-2/</link>
		<comments>http://harlotofthearts.org/blog/2011/04/03/present-tense-issue-2/#comments</comments>
		<pubDate>Sun, 03 Apr 2011 13:34:08 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Theory]]></category>
		<category><![CDATA[Activism]]></category>
		<category><![CDATA[Nan Johnson]]></category>
		<category><![CDATA[Non-rational rhetorics]]></category>
		<category><![CDATA[Present Tense]]></category>
		<category><![CDATA[rhetoric]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2139</guid>
		<description><![CDATA[Present Tense: A Journal of Rhetoric in Society has released its second issue.  (Thanks goes to David Beard over at The Blogora for the tip.)  Of special note is the piece, &#8220;Methodological Dwellings: A Search for Feminisms in Rhetoric &#38; Composition,&#8221; which features a performance by OSU&#8217;s very own Nan Johnson: On a more personal [...]]]></description>
			<content:encoded><![CDATA[<p><em><a title="Present Tense Issue #2" href="http://www.presenttensejournal.org/category/vol1/issue1-2/" target="_blank">Present Tense: A Journal of Rhetoric in Society</a> </em>has released its second issue.  (Thanks goes to David Beard over at <a href="http://rsa.cwrl.utexas.edu/" target="_blank">The Blogora</a> for the tip.)  Of special note is the piece, &#8220;<a href="http://www.presenttensejournal.org/vol1/methodological-dwellings-a-search-for-feminisms-in-rhetoric-composition/" target="_blank">Methodological Dwellings: A Search for Feminisms in Rhetoric &amp; Composition</a>,&#8221; which features a performance by OSU&#8217;s very own Nan Johnson:</p>
<div id="attachment_2140" class="wp-caption aligncenter" style="width: 433px"><a rel="http://www.presenttensejournal.org/vol1/methodological-dwellings-a-search-for-feminisms-in-rhetoric-composition/" href="http://www.presenttensejournal.org/vol1/methodological-dwellings-a-search-for-feminisms-in-rhetoric-composition/" target="_blank"><img class="size-full wp-image-2140  " style="margin: 8px; border: 0pt none;" title="Screen shot 2011-04-03 at 8.56.43 AM" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/04/Screen-shot-2011-04-03-at-8.56.43-AM.png" alt="Methodological Dwellings: A Search for Feminisms in Rhetoric &amp; Composition" width="423" height="340" /></a><p class="wp-caption-text">&quot;Methodological Dwellings: A Search for Feminisms in Rhetoric &amp; Composition&quot;</p></div>
<p style="text-align: left;">On a more personal note (or at least professionally-selfish), I&#8217;d like to offer thanks to Gae Lyn Henderson, Assistant Professor at Utah Valley University, <a title="Book Review: Activism and Rhetoric as Required Reading" href="http://www.presenttensejournal.org/vol1/book-review-activism-and-rhetoric-as-required-reading/" target="_blank">for her review</a> of the recently published <a title="Activism and Rhetoric: Theories and Contexts for Political Engagement" href="http://www.routledge.com/books/details/9780415878562/" target="_blank"><em>Activism and Rhetoric</em></a>, a simply stellar collection of essays curated by Seth Kahn and JongHwa Lee.  I&#8217;ve been fortunate enough to pursue this volume over the past few weeks and am energized by what Kahn, Lee, and the various contributors have accomplished.</p>
<p style="text-align: left;">For those also interested in affective/non-rational elements of rhetoric, check out Nathaniel Rivers&#8217;s, &#8220;<a title="In Defense of Gut Feelings: Rhetorics of Decision-Making" href="http://www.presenttensejournal.org/vol1/in-defense-of-gut-feelings-rhetorics-of-decision-making/" target="_blank">In Defense of Gut Feelings: Rhetorics of Decision-Making</a>,&#8221; <em> </em>which is an insightful and deftly managed piece on a notoriously difficult topic.  (And if any of you <em>Harlot </em>readers out there will be joining me at this summer&#8217;s &#8220;<a href="http://www.associationdatabase.com/aws/RSA/pt/sd/news_article/34665/_blank/layout_details/false" target="_blank">Non-rational Rhetorics</a>&#8221; workshop led by Diane Davis and Debra Hawhee, be sure to head over to the latest issue of <em>Philosophy and Rhetoric</em>, which has fresh essays by both.)</p>
<p style="text-align: left;">Thanks to all in the rhetoric community who keep exploring new realms of rhetoric with their research &#8211;</p>
<p style="text-align: left;">&nbsp;</p>
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