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	<title>harlotofthearts.org</title>
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	<link>http://harlotofthearts.org/blog</link>
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		<title>Carlin on PTSD</title>
		<link>http://harlotofthearts.org/blog/2012/01/21/carlin-on-ptsd/</link>
		<comments>http://harlotofthearts.org/blog/2012/01/21/carlin-on-ptsd/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 12:08:36 +0000</pubDate>
		<dc:creator>Ben</dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Culture]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2301</guid>
		<description><![CDATA[George Carlin, rhetorical critic extraordinaire. Hints of Foucault, echoes of Burke, with a dash of phonetic analysis thrown in for good measure&#8230;]]></description>
			<content:encoded><![CDATA[<p>George Carlin, rhetorical critic extraordinaire. Hints of Foucault, echoes of Burke, with a dash of phonetic analysis thrown in for good measure&#8230;</p>
<p><iframe src="http://www.youtube.com/embed/jeGKuTZtkpg" frameborder="0" width="420" height="315"></iframe></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Deadline Approaches: Submit Now for Issue #7!</title>
		<link>http://harlotofthearts.org/blog/2012/01/12/deadline-approaches-submit-now-for-issue-7/</link>
		<comments>http://harlotofthearts.org/blog/2012/01/12/deadline-approaches-submit-now-for-issue-7/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 17:10:28 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Harlot]]></category>
		<category><![CDATA[call for submissions]]></category>
		<category><![CDATA[publication]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2293</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="http://harlotofthearts.org/blog/wp-content/uploads/2012/01/harlot_issue_7_cfs.jpg"><img class="aligncenter  wp-image-2294" title="CFS Issue #7" src="http://harlotofthearts.org/blog/wp-content/uploads/2012/01/harlot_issue_7_cfs-1024x768.jpg" alt="Call for Submissions" width="614" height="461" /></a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dance your Diss!</title>
		<link>http://harlotofthearts.org/blog/2012/01/12/dance-your-diss/</link>
		<comments>http://harlotofthearts.org/blog/2012/01/12/dance-your-diss/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 17:02:58 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Theory]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[dissertation]]></category>
		<category><![CDATA[power point]]></category>
		<category><![CDATA[science]]></category>
		<category><![CDATA[TED]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2291</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><object width="640" height="360"><param name="movie" value="http://www.youtube.com/v/UlDWRZ7IYqw&#038;rel=0&#038;hl=en_US&#038;feature=player_embedded&#038;version=3"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed src="http://www.youtube.com/v/UlDWRZ7IYqw&#038;rel=0&#038;hl=en_US&#038;feature=player_embedded&#038;version=3" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="640" height="360"></embed></object></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Superb Parody</title>
		<link>http://harlotofthearts.org/blog/2012/01/11/superb-parody/</link>
		<comments>http://harlotofthearts.org/blog/2012/01/11/superb-parody/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 19:10:06 +0000</pubDate>
		<dc:creator>Kaitlin</dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Culture]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2288</guid>
		<description><![CDATA[Video parodies this well made make my smile a mile wide!]]></description>
			<content:encoded><![CDATA[<p>Video parodies this well made make my smile a mile wide!</p>
<p><iframe src="http://www.youtube.com/embed/S_vVUIYOmJM" frameborder="0" width="560" height="315"></iframe></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>enculturation: McLuhan at 100</title>
		<link>http://harlotofthearts.org/blog/2012/01/10/enculturation-mcluhan-at-100/</link>
		<comments>http://harlotofthearts.org/blog/2012/01/10/enculturation-mcluhan-at-100/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 03:32:06 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Media & Advertising]]></category>
		<category><![CDATA[Theory]]></category>
		<category><![CDATA[enculturation]]></category>
		<category><![CDATA[mcluhan]]></category>
		<category><![CDATA[medium is the message]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2282</guid>
		<description><![CDATA[If you haven&#8217;t already, I encourage to check out enculturation&#8216;s latest issue: Marshall McLuhan @ 100: Picking Through the Rag and Bone Shop of a Career, launched on the final day of centenary celebrations, 21 years to the day of McLuhan&#8217;s death.  Editors David Beard and Kevin Brooks have pulled together quite a stunning issue.]]></description>
			<content:encoded><![CDATA[<p>If you haven&#8217;t already, I encourage to check out <strong><em><a title="enculturation" href="http://enculturation.gmu.edu/" target="_blank">enculturation</a></em></strong>&#8216;s latest issue: <strong><a title="Marshall McLuhan @ 100: Picking Through the Rag and Bone Shop of a Career." href="http://enculturation.gmu.edu/" target="_blank">Marshall McLuhan @ 100: Picking Through the Rag and Bone Shop of a Career</a></strong>, launched on the final day of centenary celebrations, 21 years to the day of McLuhan&#8217;s death.  Editors <strong><a title="David Beard" href="http://davidbeard.efoliomn.com/" target="_blank">David Beard</a> </strong>and <strong><a title="Kevin Brooks" href="http://www.ndsu.edu/english/faculty/kevin_brooks/" target="_blank">Kevin Brooks</a> </strong>have pulled together quite a stunning issue.</p>
<div id="attachment_2283" class="wp-caption aligncenter" style="width: 650px"><a href="http://www.flickr.com/photos/stefanerschwendner/6241720704/sizes/z/in/photostream/"><img class="size-full wp-image-2283" title="6241720704_d24b7d044c_z" src="http://harlotofthearts.org/blog/wp-content/uploads/2012/01/6241720704_d24b7d044c_z.jpg" alt="McLuhan quote" width="640" height="480" /></a><p class="wp-caption-text">image by stefan.erschwendner, flickr</p></div>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Winner: Rhetorical Analysis of the Month (Youth Division)</title>
		<link>http://harlotofthearts.org/blog/2011/12/30/winner-rhetorical-analysis-of-the-month-youth-division/</link>
		<comments>http://harlotofthearts.org/blog/2011/12/30/winner-rhetorical-analysis-of-the-month-youth-division/#comments</comments>
		<pubDate>Fri, 30 Dec 2011 05:06:02 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Media & Advertising]]></category>
		<category><![CDATA[gender shaping]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[rhetorical analysis]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2272</guid>
		<description><![CDATA[And our winner for Best Rhetorical Analysis in the month of December by someone 12 years of age or younger goes to Riley, who reminds us that analyzing the rhetoric of color choices, gender shaping, and consumer culture can never begin too early. Congratulations, Riley!]]></description>
			<content:encoded><![CDATA[<p>And our winner for <em>Best Rhetorical Analysis</em> in the month of December by someone 12 years of age or younger goes to <strong>Riley</strong>, who reminds us that analyzing the rhetoric of color choices, gender shaping, and consumer culture can never begin too early.  Congratulations, Riley!</p>
<p><code><iframe width="640" height="360" src="http://www.youtube.com/embed/-CU040Hqbas?rel=0" frameborder="0" allowfullscreen></iframe></code></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>+1 and like</title>
		<link>http://harlotofthearts.org/blog/2011/12/16/1-and-like/</link>
		<comments>http://harlotofthearts.org/blog/2011/12/16/1-and-like/#comments</comments>
		<pubDate>Fri, 16 Dec 2011 06:38:47 +0000</pubDate>
		<dc:creator>PaulMuhlhauser</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[General]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2266</guid>
		<description><![CDATA[I don’t know much about tenure or impact factors and journals. I don’t really know much about how academic journals get rated for prestige, influence, and coolness. But I’ve been thinking about new sorts of ratings for academic publications—especially those DIY publications. I’ve been thinking about those self-published pieces that don’t go through a journal [...]]]></description>
			<content:encoded><![CDATA[<p>I don’t know much about tenure or impact factors and journals. I don’t really know much about how academic journals get rated for prestige, influence, and coolness.  But I’ve been thinking about new sorts of ratings for academic publications—especially those DIY publications.  I’ve been thinking about those self-published pieces that don’t go through a journal but are published online ready to be experienced. There are some outstanding pieces out there that may not have a home in a journal but are important and need some support and academic cred.  I’ve also been thinking about all the work comp and rhet teachers do online. I mean often they are blogging about rhetoric, vlogging about rhetoric, youtubing about composition, facebooking composition and, in general, engaging in academic activities through social media platforms that they never get credit for. So I wonder about liking and +1ng.  And I ask ya these questions:</p>
<p>1. Should there be some sort of calculation (impact factor type) for articles, books, and websites based on likes and +1s and tweets ?</p>
<p>2. Could academic prestige be equated to social media numbers?</p>
<p>3. Should social media presence help with tenure?</p>
<p>If the answer is yes to any of the above then ya gotta ask the next questions:</p>
<p>1. Would a like from Villanueva mean more than a like from Muhlhauser?</p>
<p>2. Would a +1 from Yancey be rated higher than a +1 from Brad Pitt?</p>
<p>What would a university look like if tenure were based on social media presence?</p>
<p>Please like, +1, and tweet this post.  I’m preparing for the future.</p>
<p>later</p>
]]></content:encoded>
			<wfw:commentRss>http://harlotofthearts.org/blog/2011/12/16/1-and-like/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>It Was a Little Pitchy, Dog: The Science of Delivery</title>
		<link>http://harlotofthearts.org/blog/2011/12/06/it-was-a-little-pitchy-dog-the-science-of-delivery/</link>
		<comments>http://harlotofthearts.org/blog/2011/12/06/it-was-a-little-pitchy-dog-the-science-of-delivery/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 14:37:38 +0000</pubDate>
		<dc:creator>Ben</dc:creator>
				<category><![CDATA[Science]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2264</guid>
		<description><![CDATA[From the latest issue of WIRED comes this dispatch on speech analysis research conducted at University of Michigan, which concludes that faster pacing, regular breathing, and control of pitch (less varied for men, more for women) is the key to persuading your listeners. And somewhere from the beyond, Demosthenes smiles&#8230;]]></description>
			<content:encoded><![CDATA[<p>From the latest issue of WIRED comes <a href="http://www.wired.com/magazine/2011/11/st_cheatscience_persuade/">this dispatch</a> on speech analysis research conducted at University of Michigan, which concludes that faster pacing, regular breathing, and control of pitch (less varied for men, more for women) is the key to persuading your listeners. And somewhere from the beyond, Demosthenes smiles&#8230; </p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Breaking: Photojournalism Isn&#8217;t Entirely Objective</title>
		<link>http://harlotofthearts.org/blog/2011/10/26/breaking-photojournalism-isnt-entirely-objective/</link>
		<comments>http://harlotofthearts.org/blog/2011/10/26/breaking-photojournalism-isnt-entirely-objective/#comments</comments>
		<pubDate>Wed, 26 Oct 2011 16:56:27 +0000</pubDate>
		<dc:creator>Ben</dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[visual rhetoric]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2247</guid>
		<description><![CDATA[Via PetaPixel comes this post linking to a short documentary by Ruben Salvadori on the techniques commonly used by photographers in framing, staging, and otherwise embellishing conflict photography. Those readers interested in visual rhetoric, citizen journalism, rhetorical ethics, and related topics will likely find this video a useful critique: Here’s a fascinating video in which [...]]]></description>
			<content:encoded><![CDATA[<p>Via <a href="http://www.petapixel.com/">PetaPixel</a> comes this post linking to a short documentary by Ruben Salvadori on the techniques commonly used by photographers in framing, staging, and otherwise embellishing conflict photography. Those readers interested in visual rhetoric, citizen journalism, rhetorical ethics, and related topics will likely find this video a useful critique:</p>
<blockquote><p>Here’s a fascinating video in which Italian photographer <a href="http://www.rubensalvadori.com/">Ruben Salvadori</a> demonstrates how dishonest many conflict photographs are. Salvadori  spent a significant amount of time in East Jerusalem, studying the role  photojournalists play in what the world sees. By turning his camera on  the photographers themselves, he shows how photojournalists often  influence the events they’re supposed to document objectively, and how  photographers are often pushed to seek and create drama even in  situations that lack it.<iframe src="http://player.vimeo.com/video/29280708?title=0&amp;byline=0&amp;portrait=0" width="666" height="375" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe></p></blockquote>
<p>&nbsp;</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Classical Rhetoric: A Manly Introduction</title>
		<link>http://harlotofthearts.org/blog/2011/10/24/classical-rhetoric-a-manly-introduction/</link>
		<comments>http://harlotofthearts.org/blog/2011/10/24/classical-rhetoric-a-manly-introduction/#comments</comments>
		<pubDate>Mon, 24 Oct 2011 03:52:04 +0000</pubDate>
		<dc:creator>Tim</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Theory]]></category>

		<guid isPermaLink="false">http://harlotofthearts.org/blog/?p=2223</guid>
		<description><![CDATA[The Art of Manliness has a well written series of primers on classical rhetoric and the five canons. Check &#8216;em all out: Classical Rhetoric 101: An Introduction Classical Rhetoric 101: A Brief History covers the sophists, Aristotle, Cicero, Quintillian, Medieval, Renaissance, and the &#8220;modern day&#8221; The Five Canons: Invention includes a brief section on Topoi [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;"><em><a href="http://artofmanliness.com/" target="_blank">The Art of Manliness</a> </em>has a well written series of primers on classical rhetoric and the five canons.</p>
<p style="text-align: left;">Check &#8216;em all out:</p>
<p style="text-align: left;"><strong><em><a href="http://artofmanliness.com/2010/11/14/classical-rhetoric-101-an-introduction/" target="_blank">Classical Rhetoric 101: An Introduction</a></em></strong></p>
<p style="text-align: left;"><em><a href="http://artofmanliness.com/2010/11/14/classical-rhetoric-101-an-introduction/" target="_blank"><img class="size-full wp-image-2224" style="border: 2px solid black;" title="cicero" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/cicero.jpeg" alt="" width="460" height="276" /></a></em></p>
<p style="text-align: left;"><em><strong><a href="http://artofmanliness.com/2010/11/30/history-of-rhetoric/" target="_blank">Classical Rhetoric 101: A Brief History</a></strong></em></p>
<div class="mceTemp mceIEcenter" style="text-align: left;">
<dl id="attachment_2226" class="wp-caption aligncenter" style="width: 370px;">
<dt class="wp-caption-dt"><a href="http://artofmanliness.com/2010/11/30/history-of-rhetoric/" target="_blank"><img class="size-full wp-image-2226 " style="border: 2px solid black;" title="PatrickHenry1" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/PatrickHenry1.jpeg" alt="" width="360" height="448" /></a></dt>
<dd class="wp-caption-dd">covers the sophists, Aristotle, Cicero, Quintillian, Medieval, Renaissance, and the &#8220;modern day&#8221;</dd>
</dl>
</div>
<p style="text-align: left;"><strong><em><a href="http://artofmanliness.com/2011/01/26/classical-rhetoric-101-the-five-canons-of-rhetoric-invention/" target="_blank">The Five Canons: Invention</a></em></strong></p>
<div class="mceTemp mceIEcenter" style="text-align: left;">
<dl id="attachment_2228" class="wp-caption   aligncenter" style="width: 442px;">
<dt class="wp-caption-dt"><a href="http://artofmanliness.com/2011/01/26/classical-rhetoric-101-the-five-canons-of-rhetoric-invention/" target="_blank"><img class="size-full wp-image-2228  " style="border: 2px solid black;" title="lincoln" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/lincoln.jpeg" alt="" width="432" height="291" /></a></dt>
<dd class="wp-caption-dd">includes a brief section on Topoi</dd>
</dl>
</div>
<p style="text-align: left;"><em><strong><a href="http://artofmanliness.com/2011/02/26/classical-rhetoric-101-the-five-canons-of-rhetoric-arrangement/" target="_blank">The Five Canons: Arrangement</a></strong></em></p>
<div class="mceTemp mceIEcenter" style="text-align: left;">
<dl id="attachment_2227" class="wp-caption aligncenter" style="width: 410px;">
<dt class="wp-caption-dt"><a href="http://artofmanliness.com/2011/02/26/classical-rhetoric-101-the-five-canons-of-rhetoric-arrangement/" target="_blank"><img class="size-full wp-image-2227" style="border: 2px solid black;" title="mlk" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/mlk.jpeg" alt="" width="400" height="323" /></a></dt>
<dd class="wp-caption-dd">covers narratio, partitio, confirmatio, refutatio, peroratio</dd>
</dl>
</div>
<p style="text-align: left;"><strong><em><a href="http://artofmanliness.com/2011/03/16/classical-rhetoric-101-the-five-canons-of-rhetoric-style/" target="_blank">The Five Canons: Style</a></em></strong><em style="font-weight: bold;"> </em></p>
<div class="mceTemp mceIEcenter" style="text-align: left;">
<dl id="attachment_2229" class="wp-caption aligncenter" style="width: 460px;">
<dt class="wp-caption-dt"><em style="font-weight: bold;"><a href="http://artofmanliness.com/2011/03/16/classical-rhetoric-101-the-five-canons-of-rhetoric-style/" target="_blank"><img class="size-full wp-image-2229     " style="border: 2px solid black;" title="henry-clay-orator" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/henry-clay-orator.jpeg" alt="" width="450" height="360" /></a></em></dt>
<dd class="wp-caption-dd">covers the five virtues of style: correctness, clarity, evidence, propriety, ornateness</dd>
</dl>
</div>
<p style="text-align: left;"><em style="font-weight: bold;"><strong><em><a href="http://artofmanliness.com/2011/03/16/classical-rhetoric-101-the-five-canons-of-rhetoric-style/" target="_blank">The Five Canons: Memory</a></em></strong></em></p>
<div class="mceTemp mceIEcenter" style="font-weight: bold; text-align: left;">
<dl id="attachment_2230" class="wp-caption aligncenter" style="width: 349px;">
<dt class="wp-caption-dt"><em style="font-weight: bold;"><strong><em><a href="http://artofmanliness.com/2011/04/15/classical-rhetoric-101-the-five-canons-of-rhetoric-memory/" target="_blank"><img class="size-full wp-image-2230     " style="border: 2px solid black;" title="memory" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/memory.jpeg" alt="" width="339" height="400" /></a></em></strong> </em></dt>
<dd class="wp-caption-dd"><em style="font-weight: bold;"><em>not just about memorizing, but making memorable</em> </em></dd>
</dl>
</div>
<p style="text-align: left;"><em style="font-weight: bold;"><strong style="font-weight: bold;"><em> </em></strong><strong style="font-weight: bold;"><em> </em></strong><strong style="font-weight: bold;"><em> </em></strong></em></p>
<p style="font-weight: bold; text-align: left;"><span style="font-style: normal;"><em style="font-weight: bold;"><strong><em><a href="http://artofmanliness.com/2011/05/04/canon-of-delivery/" target="_blank">The Five Canons: Delivery</a></em></strong></em></span></p>
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<dt class="wp-caption-dt"><strong style="font-weight: bold;"><a href="http://artofmanliness.com/2011/05/04/canon-of-delivery/" target="_blank"><img class="size-full wp-image-2231   " style="border: 2px solid black;" title="DemosthPracticing" src="http://harlotofthearts.org/blog/wp-content/uploads/2011/10/DemosthPracticing.jpeg" alt="" width="350" height="449" /></a> </strong></dt>
<dd class="wp-caption-dd"><strong style="font-weight: bold;">master the pause, watch your body language, vary your tone, let gestures flow naturally, match your speed with your emotion, vary the force of your voice, enunciate, look your audience in your eye </strong></dd>
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<p style="text-align: left;"><strong style="font-weight: bold;"> </strong></p>
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