Jazz is more than music. Jazz is a culture defined by a progressive ethos encoded in sound. By putting the poetry and music of Langston Hughes, Billy Strayhorn, and John Coltrane into conversation, this essay demonstrates the versatility and vitality of jazz culture. However, jazz culture has come to be drowned out in America today, and so I argue for a return to the voices of jazz's past so that we can give a new ear to jazz artists working today. Such listening should be seen as a means to reinvigorate progressive values today and in the future.
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Andrew Vogel is a professor of American Modernism at Kutztown State University of Pennsylvania. Beside jazz culture, he also studies and teaches road culture and poetry. His desert island movie is The Blues Brothers, because it has great music, and it's about how art is a force for good.
The use of media within this article abides by the guidelines for fair use as outlined below:
a. The purpose and character of your use: The copyrighted work quoted and referenced in this scholarly project is used to illustrate analysis and provide substantiation for analytical claims. The use is transformative in that all cited work is used as basis for original analysis and commentary that expands upon the ideas developed in the original works.
b. The nature of the copyrighted work: The copyrighted work utilized is textual and musical. Proper citations can be found within the work and its accompanying bibliography. Readers are strenuously urged to seek out, purchase, and enjoy the original works. They are well worth it.
c. The amount and substantiality of the work: Most of the copyrighted work cited here is sampled. However, a few works are reproduced in their entirety because complete reproduction is essential to illustrating the thesis of the argument. Sound bites cannot capture and represent the sound that is the basis of jazz culture.
d. The effect of the use upon the potential market: This scholarly analysis and commentary should only have a positive effect the markets for jazz and poetry. No profit will be derived from the publication of this essay. This essay is offered in good spirit and with the sincere hope that individuals persuaded by the thesis will seek out opportunities to support the work of poets and musicians, including those cited and referenced herein.