Caroling Commercialism: The Rhetorical Power of Christmas Music
Keywords:
Christmas, Christmas Music, Commercialism, Caroling, Radio, Commodification, Christian, ReligionAbstract
"Caroling Commercialism" focuses on the tiny topic of Christmas music and uses this as a lens through which the author examines the growing commodification of the Christmas holiday. At the surface, the expanding season during which radio stations play holiday music seems more like an annoyance than a problem. But the practice is actually a harbinger of a more dastardly intention. In short, there is economic incentive for retailers to pay more money for advertising during the holiday season. Because Christmas music puts consumers in the holiday spirit, stations are more likely to comingle holiday advertising with holiday music. And Christmas as a holiday is becoming more entangled with Christmas as a shopping season, which has a significant effect on the audience of "Christmas" as well as the holiday's impact for true believers of the Christian faith. While it is true that Christmas is not the only holiday that is becoming increasingly commercial (Valentine's Day, anyone?), it may be true that this trend as a whole is becoming more and more true of American society. There is a rising debt crisis in America, and many consumers already spend more than they can really afford. If there is a purpose to this article, it is to help people think about becoming conscious consumers and to limit their holiday spending to what is within their budgets. Isn't it hard to believe that all of this came out of hearing "Jingle Bell Rock" one too many times??Published
2008-09-29
Issue
Section
In This Issue
License
Creators who publish with this journal agree to the following terms:- Creators retain copyright, grant Harlot right of first publication, and simultaneously license the work under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Creators are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the Harlot's published version of the work with an acknowledgment of its initial publication in this publication.
- Creators who wish to select a different Creative Commons license or place their work in the public domain should inform the Editors in the "Comment for the Editor" section during the submission stage. Likewise, creators who prefer traditional copyright should also inform the Editors.