Buffy the Twilight Slayer

I’m still working on that digital media syllabus, so… playing around on YouTube. (Work is hard.) And there I stumbled upon this little gem from artist-activist Jonathan McIntosh:

It made me so happy, for a couple of reasons:

As a longtime Buffy fan (not to mention feminist), I can’t get on board with the Twilight phenomenon. Last year a student of mine wrote a rhetorical analysis of the first novel. She choose the text because although she really enjoyed the books, she felt kind of uncomfortable about the idealized relationship between Edward and Bella. And rightfully so: Her astute analysis finally led her to the conclusion that Edward fits the Harvard psychological profile of an abusiver stalker, and that Meyer’s version of love and abstinence disempowers her predominantly young, female fan base. (For more, see Christine Seifert’s “Bite Me (or Don’t)” or Anita Sarkeesian’s “The Real Reason Guys Should Hate Twilight,” among innumerable others.) This remix does a great job, I think, of humorously highlighting just those problems–and the comparative awesomeness of Buffy.

From another angle, I can’t wait to use more of McIntosh’s work in the classroom. The digital media course, which I’m centering around narrative genre(s), has me thinking a lot about fair use, remix, and how everyday composers can engage in public conversations about the texts that affect them and their culture. And this sleek, smart, and legal film works to demonstrate how effective and fun such rhetorical narratives can be.

For more from McIntosh about this remix, see his guest blog post on WIMN’s Voices. And definitely check out his other works at Rebellious Pixels.

Visual calm

I’m guessing all of your eyes and minds are as exhausted as mine after a day of work, which, for many of us, contains a fair amount of web wanderings. (I’m prepping a course in digital media composition, so I get/have to spend a lot of time looking for and at teachable texts and sites. Any recommendations are always welcome!) It’s not just the wretched pop-ups or those expanding ads, but all the colors, links, sidebars, and navigation tools that distract the reader from the actual text under examination. My burning eyes and burnt brain have seemed like an inevitable side-effect, a necessary evil. Until now!

David Pogue’s “Pogie Awards for the Year’s Best Tech Ideas” in today’s New York Times introduced me to a groovy new (and, like all the best tools, free!) button for your web browser that promises, as Pogue says, to be a “real life-changer.” Readability clears all of the pesky distractions away from the central text under consideration, leaving only a simple, clean, and customizable view. Check out the difference between Pogue’s original article and the Readability version:

Pogue's original NYT article view

Pogue's article viewed through Readability

How cool is that?!?! My new year’s gift to you: some breathing room for your eyes.

Fashion Tech

Christmas gift for the fashion technology forward?

If your clothes are supposed to say something about you, then this dress says you’re afraid of the dark? Or, you’re the light of the party. Ha!

LED Dress Lights Up Your Wardrobe and the Night

And this shirt says you have trouble being alone? (Actually, this one I can see as beneficial for kids. Let’s say Mommy or Daddy have to go on a business trip, but they can still hug little Sally or Sam before bedtime. It’s a nice thought.)

The Hug Shirt

Technology in my wardrobe. . . I might be geeky enough for that.

Facebook Privacy: Less Private?

Earlier this month, Facebook changed the way privacy settings work. In several posts across the web, people are talking about how the privacy changes actually limit how much Facebook users can keep private. If you’re curious about these changes, then check out ProfHacker’s “Managing Facebook Privacy Settings (Round 2),” digital inspiration’s “How to Cross-Check Your Facebook Privacy Settings,” the Electronic Frontier Foundations’s (EFF ) “Facebook’s New Privacy Changes: The Good, The Bad, and The Ugly,” or Gawker’s “The Facebook Privacy Settings You’ve Lost Forever.” (Personally speaking, it’s driving me crazy that I can no longer block updates about when I “like” a friend’s status. First of all, who cares to know that? Second of all, it’s cluttering up my profile. Third of all, that’s between me and the person I like. Ha, get it? ;)

"Facebook privacy with friend lists" by Trucknroll, flickr

"Facebook privacy with friend lists" by Trucknroll, flickr

What I find interesting is the way Facebook is trying to market this change. In “An Open Letter from Facebook Founder Mark Zuckerberg,” Zuckerberg states:

We’re adding something that many of you have asked for — the ability to control who sees each individual piece of content you create or upload.

I assume what he’s referring to here is the ability to put specific privacy setting for each thing posted. If you post a status, then yes, you can determine whether it gets posted to friends, friends of friends, or everyone. You can also choose to share with specific people or choose a major group and leave out certain people. I think that is cool; however, it seems a user cannot update automatic feeds like new friends or “liked” posts. A user can delete these things off their feed/wall/whatever-you-wanna-call-it one by one, but the user no longer has the ability to say, “No, don’t add that without my permission.”

More perplexing is when Zuckerberg says this:

We’ve worked hard to build controls that we think will be better for you, but we also understand that everyone’s needs are different. We’ll suggest settings for you based on your current level of privacy, but the best way for you to find the right settings is to read through all your options and customize them for yourself. I encourage you to do this and consider who you’re sharing with online.

Um, what? First off, I hate the idea of Facebook as this benevolent dictator, who’s only looking out for their users. If that were so, wouldn’t we be able to have control over the things we already had control over—rather than having that ability taken away?

Secondly, isn’t it a bit hypocritical to warn users about who they’re sharing content with when they can’t even control certain very important things about their profiles. For instance, a user can no longer block the kind of content that would be shared with a search engine. Previously, it was possible to block someone from seeing who your friends were, what pages you were a fan of, and your profile picture from search engines. You might have been listed in a Google search, but it’s possible not much was listed. Now, there’s the option of being listed or not. That’s it. Two choices. No more.

Facebook by _Max-B, flickr

"Facebook" by _Max-B, flickr

This, apparently, is in a move to make, as Zuckerberg says, “the world more open and connected.” Aw, isn’t that sweet? Facebook is gonna play psychologist and open us right up. The thought is nice. It’s nice in theory to think about being open and connected with the rest of the world—it really is, but merely taking away privacy controls is not going to make the world open and connected. People who wanted that privacy will just pull their content down. Moreover, Zuckerberg’s letter seems to ignore that those privacy controls will disappear. He concentrates more on the outdated network model and how changing that model will give more control to the user. Sure, I agree with getting rid of the networks, but that doesn’t mean that users have more control over their privacy settings. The two are not dependent upon each other. It’s kind of a shady look over here! (so, you don’t look over here) kinda move.

But, in the end, Facebook is a benevolent dictator. They make changes and Facebook users put up with it, adjust to it, and adapt, because they have to. At least, if they want to keep using that social network, then they have to. In this scenario, I’d say that most users probably didn’t take too much note. In my opinion, there are far too many people who are far too open and connected, so many probably didn’t even pay attention to the privacy settings when everything was first switched. And, in that case, they wouldn’t miss settings they never used. So, it’s not like Facebook or Zuckerberg would have had to do a lot of convincing for those audiences. The others, well, they’re the ones writing those articles at the top of this blog post and they don’t seem so convinced to me.

Design Backlash

Consider this a dual author post. Vera posted this comic called “How A Web Design Goes Straight to Hell” on my facebook page. Hilarious and a must-read. Coincidentally, Smashing Magazine’s article posted yesterday was “How To Explain To Clients That They Are Wrong,” which, as Vera put it, “is all about rhetoric.” And, yes, it is. So, per request, I post these things for your enjoyment. (I certainly do enjoy them.)

Harlot Blog for Facebook

While I developed this application (with the help of a certain Smashing Magazine article) a few weeks ago, I completely forgot to tell you all about it. This application is for Facebook users to follow and comment on Harlot‘s blog from within Facebook itself. You don’t need to be a fan of Harlot‘s Facebook page (but, of course, we’d love that too: become a fan), so hop on board and keep up to date with what we’ve got going on in this here neck of the woods. Click the link, approve the permission, and this juicy little app is all yours:

http://apps.facebook.com/harlotblog/

Trading iPods

To continue on my music-is-a-form-of-communication rant, I recommend you read and/or listen to this short piece by Andre Codrescu.

In this piece, he describes listening to his wife’s ipod after his dies and the world that opens up to him after doing so. I like the potential of this. I like the thought that our choices of what to put on our ipod communicates our lives to other people and that those choices impact their lives as well. Call me idealistic, but I find it a beautiful concept.

What is the vernacular avant garde?

There was a great piece in the NY Times this weekend, “Uploading the Avant Garde,” in which Virginia Heffernan considers the presence, among YouTube’s many microgenres, of what she calls “the vernacular avant-garde.” I’ve never heard this phrase before, and I dig it. What does it mean to put those words in tandem? According to the OED (of course):

Vernacular (adj)

1. That writes, uses, or speaks the native or indigenous language of a country or district.

2. a. Of a language or dialect: That is naturally spoken by the people of a particular country or district; native, indigenous.

6. Of arts, or features of these: Native or peculiar to a particular country or locality. spec. in vernacular architecture, architecture concerned with ordinary domestic and functional buildings rather than the essentially monumental.

Avant garde

1. The foremost part of an army; the vanguard or van.

2. The pioneers or innovators in any art in a particular period. Also attrib. or as adj. Hence avant-{sm}gardism, the characteristic quality of such pioneering; avant-{sm}gardist(e) (-{shti}st), such a person; also attrib.

And so this seems clear enough: we have the home-grown innovator, the local pioneer. But in our current use of vernacular, we usually mean folksy, populist, “normal” ways of communicating, whereas avant garde is all about pushing those norms to provoke and even alienate mainstream popular audiences… So, yeah, I’m still not sure I get how those work together. How can we define such a concept? ( I heart semantics.) Like porn, do we just know it when we see it? Anyone?

So of course I googled the phrase and found few results beyond a couple of uses in reference to avant garde jazz and vernacular architecture… Except, that is, for a couple of  blogs and a SNS who’d posted the same link and video:

Networked Performance

Since the latter part of the twentieth century, and especially in new media artistic practice, we have witnessed a shift from the representational idiom — where art is viewed mainly as a means to represent the world — to the performative idiom — where the practice of art is considered an active negotiation with the world it seeks to address.*

Networked Performance is real-time, embodied practice within digital environments and networks; it is, embodied transmission.

Performance involves the moment of action, its continuity, inherent temporality and relationship to the present.

DocumentTech

DocumentaryTech is a collaborative effort to talk about what makes for the best in the art of the documentary. As a joint project by The Rhode Island Film Festival and several sponsoring universities, we’ll talk about technique, technology, distribution and funding.

Dance-tech.net

Using the most advanced social software platforms and internet rich multimedia applications, dance-tech.net provides movement and new media artists, theorist, thinkers and technologists the possibility of sharing work, ideas and research, generating opportunities for interdisciplinary collaborative projects.

I don’t have much profound to say about all this. I think the phrase is fascinating and worthy of play. And I think it’s cool that there are such fascinated/ing people out there instigating such play.

Yay interwebs.

Tweet Me Right

Ben Stiller tries to explain Twitter to Mickey Rooney. I find Twitter to be a rather interesting creature. I’m kind of a Facebook gal myself, and even at that I only update my status about once a week, so Twitter has never been something that I got overly interested in.

I mean, I’m sure there are some people who post really interesting musings to themselves and all that, so I can see the purpose for it there. An extremely quick exchange of interesting ideas and all that. However, it’s the absolutely useless things that nobody cares about that are rather, well, annoying. For instance, is it really necessary to give a morning/evening/night greeting?

Anyway, I digress. So, Mickey Rooney is listening to Ben Stiller about this whole thing. And we all expect the traditional, “oh my, what is this new fangled invention response,” right? But, Mickey doesn’t fall for it. Oh no, he’s pretty calm and collected. This makes me happy, because I get a little tired of that stereotype. I’ve met as many young people as old who approach technology like it’ll give them a brand new rash and met some older folks who geek out on new gadgets.

Okay, yeah, so my grandmother still doesn’t know how to answer her cell phone, but she’s got one! And I bet Mickey does too!

via NPR.